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Million Dollar Baby
クリント・イーストウッドが監督・主演を務めた衝撃のヒューマン・ドラマ。厳しいボクシングの世界を題材に、そこに生きる名もなき男女の悲愴な人生模様を綴る。アカデミー賞で作品賞をはじめ主演女優、助演男優、監督賞の計4部門を受賞。 ロサンジェルスのダウンタウンにある小さなボクシング・ジムを営む老トレーナー、フランキー。その指導力に疑いのない彼だったが、選手を大切に育てるあまり、成功を急ぐ優秀なボクサーは彼のもとを去ってしまう。そんなある日、31歳になる女性マギーがジムの門を叩き、フランキーに弟子入りを志願する。13歳の時からウェイトレスで生計を立てるなど不遇の人生を送ってきた彼女は、唯一誇れるボクシングの才能に最後の望みを託したのだった。ところが、そんなマギーの必死な思いにも、頑固なフランキーは、“女性ボクサーは取らない”のひと言ですげなく追い返してしまう。それでも諦めずジムに通い、ひとり黙々と練習を続けるマギー。フランキーの唯一の親友スクラップはそんなマギーの素質と根性を見抜き、目をかける。やがてマギーの執念が勝ち、フランキーはついにトレーナーを引き受けるのだが…。
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動画提供: YouTube / 映画「ミリオンダラー・ベイビー」日本版劇場予告
クリント・イーストウッドが監督・主演を務めた衝撃のヒューマン・ドラマ。厳しいボクシングの世界を題材に、そこに生きる名もなき男女の悲愴な人生模様を綴る。アカデミー賞で作品賞をはじめ主演女優、助演男優、監督賞の計4部門を受賞。 ロサンジェルスのダウンタウンにある小さなボクシング・ジムを営む老トレーナー、フランキー。その指導力に疑いのない彼だったが、選手を大切に育てるあまり、成功を急ぐ優秀なボクサーは彼のもとを去ってしまう。そんなある日、31歳になる女性マギーがジムの門を叩き、フランキーに弟子入りを志願する。13歳の時からウェイトレスで生計を立てるなど不遇の人生を送ってきた彼女は、唯一誇れるボクシングの才能に最後の望みを託したのだった。ところが、そんなマギーの必死な思いにも、頑固なフランキーは、“女性ボクサーは取らない”のひと言ですげなく追い返してしまう。それでも諦めずジムに通い、ひとり黙々と練習を続けるマギー。フランキーの唯一の親友スクラップはそんなマギーの素質と根性を見抜き、目をかける。やがてマギーの執念が勝ち、フランキーはついにトレーナーを引き受けるのだが…。
愛に、打たれる。
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***Female “Rocky” with a downbeat and contradictory close***
Released in 2004 and directed by Clint Eastwood, “Million Dollar Baby” stars Eastwood as a cantankerous boxing trainer who owns a working class gym in Los Angeles, which is maintained by one of his former boxers, the narrator of the story (Morgan Freeman). A waitress from the sticks of Missouri (Hilary Swank) shows up and asks that Frankie (Eastwood) train her, which he refuses to do because she’s too old at 32 and he “doesn’t train girls,” probably because he had an unexplained falling out with his daughter years earlier. Eventually he begrudgingly agrees.
The bulk of the film is basically a female version of “Rocky” (1976), except that I prefer the potent drama in this one. The three main characters are well fleshed-out with an all-around reverent tone, not to mention an occasional bit of mild amusement. Frankie and Maggie (Swank) slowly develop a father/daughter-type relationship and it’s touching.
The third act, however, takes a left turn that is seriously downbeat. It departs from sports movie formula with a message that contradicts everything the first two acts pushed, which is inexplicable. Sure, I ‘get’ the point: A certain person basically sacrifices everything to do what’s (supposedly) best for the situation and honor the will of a dearly loved soul. Nevertheless, it’s a dark turn that leaves a sour taste because it refutes the positive message of the first two-thirds of the story.
The film runs 2 hours, 12 minutes and was shot in Los Angeles.
GRADE: B-/C+
Unreal! I didn't expect <em>'Million Dollar Baby'</em> to be so astonishingly brilliant.
I've said it many a time before but for full context, I do not read up about films before watching them - aside from making sure the film isn't part of a franchise, checking the run time and seeing the genre - so I was expecting this to be a cliché-filled, but still great, sports flick. It's so much more than that.
It's way more deeper and has an everlasting impact that I hadn't anticipated. Even across the opening chunk I was predicating the obvious cliché ending, but as the film progresses and, especially, as the final portion rolls around it just absorbed my total attention - I was fully engrossed... hook, line, and sinker. Some film!
The cast are simply stunning. Clint Eastwood gives an absolutely fantastic performance, Hilary Swank is truly sensational - especially at the end, damn - and Morgan Freeman is Morgan Freeman; what an actor and what a voice, using him as narrator was a great move. Elsewhere, and though less dramatically, Jay Baruchel, Anthony Mackie, Margo Martindale and Michael Peña also feature interestingly.
It's quite the journey the film takes you on, which I just found utterly enthralling to watch unfold. Perfect pacing, perfect acting. I loved watching every second of it and will undoubtedly be revisiting it.
I noted days ago that I was rather surprised to learn that Eastwood's <em>'<a href="https://letterboxd.com/film/unforgiven/" rel="nofollow">Unforgiven</a>'</em> had been so heavily acclaimed, on this occasion with this 2004 film I am the complete opposite. I don't care much for awards et al., but I am delighted to see all involved receive their props for this. Chapeau!
Marvellous, just marvellous.
**Million Dollar Baby is an extremely well-done film that takes an abrupt turn to deal with incredibly sobering subjects that are definitely not what I thought I signed up for.**
I know it’s supposedly a masterpiece, and I will lose some cred for saying this, but Million Dollar Baby was a dreadful movie. I spent the first half of the film falling in love with the hopeful, talented, and inspiring Maggie Fitzgerald and her redeeming of the cranky and lonely trainer, Frankie Dunn. But when the second half takes its giant turn, the story shifts from an endearing sports narrative about overcoming opposition and redemption to hopelessness and agony. Clint Eastwood directed a powerful story with impressive mastery, but the subject matter robbed the film of any enjoyment. For many, Million Dollar Baby deserved Best Picture at the Oscars. For me, I wish The Incredibles had claimed that victory.
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