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It Comes at Night
夜やってくる“それ”の感染から逃れるため、森の奥でひっそりと暮らすポール一家。そこにウィルと名乗る男とその家族が助けを求めてやって来る。ポールは“それ”の侵入を防ぐため「夜入口の赤いドアは常にロックする」というこの家のルールに従うことを条件に彼らを受け入れる。うまく回り始めたかに思えた共同生活だったが、ある夜、赤いドアが開いていたことが発覚。誰かが感染したことを疑うも、今度はポール一家の犬が何者かによる外傷を負って発見され、さらにはある人物の不可解な発言…外から迫る、姿が見えない外部の恐怖に耐え続け、家の中には相互不信と狂気が渦巻く。彼らを追い詰める“それ”とは一体・・・。
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動画提供: YouTube / 【公式】『イット・カムズ・アット・ナイト』11.23(金・祝)公開/予告編
夜やってくる“それ”の感染から逃れるため、森の奥でひっそりと暮らすポール一家。そこにウィルと名乗る男とその家族が助けを求めてやって来る。ポールは“それ”の侵入を防ぐため「夜入口の赤いドアは常にロックする」というこの家のルールに従うことを条件に彼らを受け入れる。うまく回り始めたかに思えた共同生活だったが、ある夜、赤いドアが開いていたことが発覚。誰かが感染したことを疑うも、今度はポール一家の犬が何者かによる外傷を負って発見され、さらにはある人物の不可解な発言…外から迫る、姿が見えない外部の恐怖に耐え続け、家の中には相互不信と狂気が渦巻く。彼らを追い詰める“それ”とは一体・・・。
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I don't need happy endings in my movies. A downer ending is often what makes a movie great. But I do like satisfactory ones. _It Comes at Night_ did not give that to me. Mystery is often its own reward, and I do believe that's what writer/director Trey Edward Shults was going for here, but it didn't wind up hit that resonant for me. This particular movie felt like it wasn't about the journey, it was about the destination, and we essentially didn't get one.
Joel Edgerton is fantastic of course, but any one of the other actors could have been as well, we'll never know because they were never given that opportunity. Which really says it all with _It Comes at Night_. There seemed like there was something very worthwhile just on the other side of the veil, but we'll never know, because we never got to see it. And with cinema, if we didn't see it, does it really count?
_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**It's always family first in the apocalyptic world!**
It was not what I was expecting, enjoyed it though. The trailer, the posters hints something else. So I thought it could be a horror, but it was even a terror or a thriller flick. Well, there were a few occasions where it was edgy, though in the most of the film nothing really happened. Slow but not boring. A simple storyline, limited cast and a apocalyptic theme. Surely you would have seen hundreds of this kind, so when you watch it, you won't find anything new out of it. Then remains the question, is it any worth!
I liked a simple take. Just like the film 'The Survivalist'. A small family living in an isolated place, but very precautious about any outside threat. The world is infected with an unknown disease and people are dying everywhere. Recently they had buried one of their family members. So they are not taking any chances with anyone. But now after a terrifying encounter, another family joins them and how things go on from there are the rest of the tale to tell us with a small twist.
Well, you won't see Joel Edgerton doing a solo film often. But this was a different, because of a small budget and the kind of narration. He did good and so the rest his co-stars. Firstly, it was not a horror film. Then there were a few intentional scenes to scare the viewers, but it wasn't anywhere near to scary. I've watched the whole film and I still don't know what comes at night. Dreams? Nightmares? Looks that's what it implies. Other than that it is a drama film with a little thrill. It can be watched nothing more than once.
**6/10**
**The marketing made me expect something this movie was not and ultimately dissatisfied me with what I got.**
Marketed as a horror creature movie, It Comes at Night disappoints due to the severe lack of creature horror. Instead, the film follows a family surviving an apocalyptic virus that has all but wiped humanity off the face of the earth. Paranoia saturates every moment of the movie, with characters constantly fearing how others might attack or infect those they care about. The film's scariest moments are the weird dreams the son keeps having. The twists at the end most likely are meant to shock but left me deflated. While It Comes at Night might be beloved by cinema fanatics, I couldn't get past the deceptive marketing. I wanted monsters and got family drama and paranoia.
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