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Influencer
人気・インフルエンサーのマディソン(エミリー・テナント)は、フォロワーを魅了する華やかな投稿の裏で、常に“理想の自分”を演じ続けていた。新たな映像コンテンツを求め、恋人ライアン(ロリー・J・セイパー)と計画していた南の島への撮影旅行をひとりで決行する。そこは、南の楽園の自然と、ゴージャスなホテルや別荘が並ぶインスタ映えスポット。青い海と白い砂浜、華やかな非日常に包まれ、マディソンは完璧な世界を発信し続けていた。しかし、孤独な旅の途中で出会った気さくな女性CW(カサンドラ・ナウド)との出会いが、やがて彼女の運命を狂わせていく。親しげな笑顔の裏で、CWはマディソンのSNS情報を巧みに奪い取り、“彼女になりすます”という恐るべき計画を進めていたのだ。そしてマディソンが姿を消したあと――CWの次の標的は、同じく超人気のインフルエンサー、ジェシカ(サラ・カニング)。美しい自然とゴージャスな映像美が、やがて恐怖と狂気の舞台へと変貌する。SNSに映る完璧な笑顔の裏で、誰にも知られず“終わりなき悪夢”が始まる。
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動画提供: YouTube / 【映画】『偽りの楽園』予告編
人気・インフルエンサーのマディソン(エミリー・テナント)は、フォロワーを魅了する華やかな投稿の裏で、常に“理想の自分”を演じ続けていた。新たな映像コンテンツを求め、恋人ライアン(ロリー・J・セイパー)と計画していた南の島への撮影旅行をひとりで決行する。そこは、南の楽園の自然と、ゴージャスなホテルや別荘が並ぶインスタ映えスポット。青い海と白い砂浜、華やかな非日常に包まれ、マディソンは完璧な世界を発信し続けていた。しかし、孤独な旅の途中で出会った気さくな女性CW(カサンドラ・ナウド)との出会いが、やがて彼女の運命を狂わせていく。親しげな笑顔の裏で、CWはマディソンのSNS情報を巧みに奪い取り、“彼女になりすます”という恐るべき計画を進めていたのだ。そしてマディソンが姿を消したあと――CWの次の標的は、同じく超人気のインフルエンサー、ジェシカ(サラ・カニング)。美しい自然とゴージャスな映像美が、やがて恐怖と狂気の舞台へと変貌する。SNSに映る完璧な笑顔の裏で、誰にも知られず“終わりなき悪夢”が始まる。
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The social media age lends itself well to the horror-thriller genre, but most films turn out to be a shallow, cautionary tale about the toxicity that comes from our narcissistic desire for more fan engagement and obsession with accruing “likes.” That’s not the case with “Influencer,” a creative and fresh take on movies set in the TikTok and Instagram era. Director and co-writer Kurtis David Harder‘s film embraces the online influencer culture with a project that has shades of “Single White Female” and “Sissy,” and it’s filled with enough psychological suspense to keep you on the edge of your seat.
Madison (Emily Tennant) is a popular social media influencer who planned a lavish trip to Thailand with her boyfriend Ryan (Rory J Saper), who bailed at the last minute. Determined to save her vacation, she heads to the country alone and films videos for her loyal followers, making it seem like she’s have a much better time than she actually is. One night at the hotel bar, she meets CW (Cassandra Naud), a fearless and knowledgeable traveler who offers to take Madison under her wing and show her the most Instagram-worthy locations around. They develop a quick friendship, bonding over food, drinks, and the love of adventure. Things seem to be looking up for Madison until CW takes her for a surprise overnight camping visit to a deserted island that’s completely off the grid.
Instead of the typical story of a man preying on a woman traveling alone, in this scenario it’s a female (which somehow makes her feel more trustworthy). You aren’t concerned for Madison’s safety at first, because CW seems like a really cool, friendly person. Once you begin to feel uneasy about her intentions, it’s already too late. The script, which Harder co-wrote with Tesh Guttikonda, is clever but never annoying, and the narrative goes to as many unexpected places as it does familiar. Although the premise can sometimes feel like something you’ve seen before, the story has enough natural and unforced surprises to keep you guessing and engaged.
A major part of the reason the film works so well is that the story seems plausible and realistic, and the performances from the cast are terrific. Naud is unsettling as a genuine psychopath who is a master of manipulation, and Tennant and Sara Canning as social media superstars are extremely believable in their roles. Harder is a skilled director who handles the material well, and he understands the cinematic language of the thriller.
Some of the best parts of “Influencer” are also the most unexpected, so I have actively avoided revealing too many spoilers in this review. The film offers a chilling look at our natural insecurities, arrogance, and conceit when it comes to our online presence, but it also is a really fun horror-thriller that’s exceptionally satisfying.
Great movie and it was unique too. Loved it.
Fun idea, but a bit flat
The idea behind the plot isn't bad, and the main character is engaging, but she is mired by some of the other decisions made. The male lead is not really engaging, and some of the writing is somewhat lack-luster. It isn't a bad movie, and it looks gorgeous, but I think it could have been a bit more tightened when it came to its tension, so that the horror-moments could be allowed to shine.
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